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A Thought Process

by His & Her Vanities

supported by
Jonathan Eaton
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Jonathan Eaton Creative landscape of sound on the classic set up of rock n roll. Very tight and catchy without the fluff. Favorite track: Moving Forward.
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1.
anticipate to measure up the pros and cons are all mapped out can't decide on what to cut assemble lines to get it done take it out on the mind soak it up don't let it dry siphoning can't let it stop there's no time to let it out moving forward can't get faster than this lack of air inside the walls that surround the protocol learn to take what's ladled out even if it's hard to hold moving forward can't get faster than this as the hand moves on the clock farther down the string i walk i'll reach the end to figure out things are not what was thought moving forward getting cluttered moving forward can't get faster than this ready or not pile it all on ready or not pile it all on watch your balance as you sway anticipate to measure up the pros and cons are all mapped out can't decide on what to cut assemble lines to get it done take it out on the mind soak it up don't let it dry siphoning can't let it stop there's no time to let it out moving forward getting cluttered moving forward can't get faster than this (it's a long slide)
2.
back track it's not in sight it can't be that far behind the sour taste in your mind will push everything aside it won't be long before you choke crawl into the next phase to catch a different array your silhouette changes shape but your mind won't let you walk away (under the dark there lies a spark) it stops then falls apart back track it's not in line scattered throughout the inside collect what is alive but your eyes won't filter to your mind that's stuck it starts then stops it falls apart then turns back on so far left behind and cold is it for real it's not so clear why's it so cold what don't i know is this for real it's unclear turn off the unknown cause
3.
Trum Tracks 03:26
inside i'm tumbling over i missed it just by a number this thing don't want to remember the sting ground's tired of being run over the wheels act as a reminder this time i'm not gonna let it swing stop shooting the good guy down you won't get him it's not your turn to lay down the line stay on your own side the message that was sent was way too fast to track i listened through the cracks but couldn't catch the sound felt it as it fell right through my hands again can't wait 'til the traffic in my head slows down as i clear out the clutter the air that's hovering over thins out just for a moment then quits (i missed again it's sinking in) the flipside is flipping on over as i'm mulling it over this time i'm not gonna fall for the trick stop spilling what's been poured what's soaking will take a toll and trail off the line breaking off the tie the message that was sent was way too fast to track i listened through the cracks but couldn't catch the sound felt it as it fell right through my hands again can't wait 'til the traffic in my head slows down stop shooting the good guy down you won't get him it's not your turn
4.
what's next to surface always a twist thrown so far from the middle what is it that i missed thrown to the side from the center somewhere i missed the signal as i search for something familiar can't get back get back in gone was it there now it's gone hey get your head on put your head on gone without a clue out of the blue lost and can't renew
5.
is it all in your head and you can't explain it with this microscope we're taking to plan an entire picture i am questioning exactly what we'll learn from this procedure shut the valve off time to sit still take a deep breath let the tank fill is it all in your head
6.
the system stops working they can't tell who's laughing the same signs keep flashing but no one is looking you can't expect it to fix itself now you're gonna have to dig a little deeper here's a ticket for the last minute it won't cut it 'cause you can't catch up oh no to what was tossed out you see it fall to the ground the seeds that have been planted they can't grow without a gun to fix the system that seems so precious (it's so precious) to the image and the elected oh no i can't believe this oh no i'm just a number the system stops working they can't quite tell who is laughing it's the same signs that keep showing but no one seems to be looking it's one big cycle cycles make there's just some things that i can't take 'cause there's nothing that doesn't need assistance occasionally
7.
Field Fire 02:07
wait the field is on fire you're gonna get burned hey the field is on fire you took a wrong turn hey the field is on fire the stakes were too high place your hands on the ground and kiss it goodbye seize the chapters on file you're turning around leave them all in a pile now it's time to run hey the field is on fire the stakes were too high trace the sun on the dial you're gonna get by
8.
Autopilot 03:55
out in the breeze like in your dream slow down slowly forget what's spinning around notice nothing is worth the worry at all returning returning we are we are we are all we're high
9.
a thought process now in progress and i don't know of the outcome but that's the way that it makes sense to all the thoughts that are unlocked a thought process now in progress and i don't know where it's going but that's the way that it works best follow the thought and watch it grow when you're in your own world a thought that passes slightly dressed a thought that starts from scratch a thought that stops and loses track while another stores itself and finds its way back roll the choices of viewpoints in front of you and ways to comprehend the countless numbers of trips to take where do they all end roll the choices of viewpoints in front of you where do they all end where do they all end where do they all end now it all makes perfect sense
10.
Bombs Away 03:21
say again break the silence now and then make some mountains to climb up just for nothing and down again it's what we do understand why you're running not afraid just pretending while you stay there's still movement not against right with you let it flow let if fall its own way

about

“…A Thought Process, marks a new His and Her Vanities; a less experimental, more comfortable song-writing entity, one that’s begun to place the raw power of guitar, bass, and drums at the foreground, and glitchy electronics at the back. Every arrangement is so creative, every song a work of surprising ingenuity…” -Emmie Magazine
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"Especially in the local music scene, there's something to be said for quality control. All too often, even the best local artists fall into the trap of releasing countless, indistinguishable albums, flooding an already oversaturated market and scaring away outside listeners looking to explore the local scene.

His & Her Vanities, however, are a local act that shows some restraint. Their catalogue - two full-lenths released two years apart - epitomizes a "quality over quantity" mentality, and they limit the number of shows they perform to just a few every couple of months.

Despite the band's intentionally low profile, the Vanities have cemented a dedicated local and national following, largely through word of mouth. Their self-titled debut album is widely circulated around the internet by fans of quirky rock, and the group furthered their profile with a well-received show at 2003's South by Southwest festival. Although the Vanities have few plans to promote their recently released second album, A Thought Process, the record will likely win them new listeners and create more buzz around them.

A Thought Process fine tunes the sound the Vanities mastered on their self-titled debut. Traces of Devo, Wire and Gang of Four are still tied together by pop sensibilities reminiscent of the Pixies' and the Dismemberment Plan's most accessible work, but this album has a rawer feel to it than their last one. Missing are the layered keyboards and electronics that were a strong presence on the debut, scrapped in favor of a down-to-basics guitar, drum and bass sound.

The change works well. Without the keyboards, their sound is less cluttered and more urgent, and none of the playfulness that made the first album so endearing has been sacrificed."
-Core Weekly
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Much Love,
SOS

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credits

released February 1, 2004

Band Members:

Ricky Riemer - guitar, vocals
Terrin Riemer - bass, vocals
Sara Quigle - drums
Matt Abplanalp - guitar

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His & Her Vanities Madison, Wisconsin

4-piece post-punk outfit hailing from Madison, WI since 2001.

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